Iranian Art, David Hockney, and LACMA

June 26, 2018

Home » Commentary » Iranian Art, David Hockney, and LACMA

Boyd, an art lover visiting California the first time in years, reads with increasing concern a two-sided handout titled: The Future at Los Angeles County Museum of Art, and waves the news at a museum employee. “What’s this? Almost half the galleries are closed and soon the others’ll be shuttered, too.”

She smiles and says, “We’ll be keeping our two newest buildings open, the Resnick Pavilion and the Broad gallery. The rest is going to be demolished and replaced by the Zumthor building that’ll present our art in unique and dynamic ways, and extend over Wilshire Boulevard to provide more creative space there, too.”

“When’s it gonna open?”

“In five years.”

“I may be dead by then.”

“I doubt that,” she says. “Besides, today you can have a special experience in the Broad gallery. Portraits by David Hockney are on the third floor and Iranian art on the second.”

“Thanks,” says Boyd, who steps to the exterior escalator lifting him almost high as Hollywood Hills to the north.

In a vast room partially divided by a display wall in the center, Boyd is overwhelmed by eighty-two people backed by various shades of blue. All sit in the same yellow chair in Hockney’s hillside studio and are displayed on canvases four feet by three.

Boyd studies every figure and most strike him as rigid and inscrutable but several connect. He first approaches conceptual artist John Baldessari.

“Your gray hair and beard and overall appearance remind me of John Huston,” Boyd says.

“I’m delighted by the comparison. You remind me of John Q. Public.”

They want to play rough, okay. Boyd marches to Margaret Hockey and stares at the massive nose dominating her face. Glasses and gray hair frame the nose.

“David sure didn’t romanticize you, did he?” Boyd says. “I expect you’re his sister.”

“I couldn’t very well be his wife, could I? I won’t ask if you were one of David’s boyfriends because he’s a man of taste.”

“I assume you two are estranged, except when he needs you to sit three days for a portrait.”

Margaret Hockney huffs, and Boyd retreats to examine Barry Humphries.

“You look like a Hollywood guy, lit up by pink pants, lighter pink socks the color of your face, a wide red tie polka-dotted white, a blue jacket, and rumpled hat. A hundred years ago you’d have been a cigar-smoking newspaperman. What do you really do?”

“I act. I joke. I satirize. And you, sir, let me surmise, sell insurance in Des Moines.”

Boyd doesn’t get too close to Larry Gagosian, who owns more art galleries than anyone, three in London, three in New York, one in Beverly Hills, two in Paris, another in Rome, and Geneva, and Hong Kong, and does lots of Go-Go private deals making millions. Boyd, who’s a little portly, also admires trim and muscular Gagosian for working out when not navigating the world of art.

“Your right eye’s looking straight at me but your left’s aimed a little too far right. Is that you or just how David Hockney saw you those two days?”

Boyd pivots and walks away, wanting to avoid the Gagosian glare given poor Morley Safer of 60 Minutes who’d made disparaging remarks about contemporary art and its price tags and then, like a bloody zebra, tried to interview the lion.

Okay, who’s this kid, Rufus Hale? He’s a handsome blond lad who’s barely pubescent but looks like he belongs in that red tie and white long-sleeve shirt enveloped by a gray vest.

“Rufus, what’s in that small lighter-gray notebook?”

“I periodically sketch the most amusing of visitors,” he says.

“Would that include me?”

Rufus Hale doesn’t reply.

Cocky little rich kid who’s never worked a day, Boyd concludes. Now he’s going to talk to a real man, Frank Gehry, renowned architect who designed, among other iconic structures, the Guggenheim Museum in Bilbao, the Walt Disney Concert Hall in Los Angeles, and the Louis Vuitton Foundation in Paris. He’s sitting forward in the yellow chair, his face large and eager.

“What’s your favorite among those you’ve designed, Frank?”

“Can’t talk now. Got to go build things. David, I told you to hurry and finish this.”

Boyd edges toward the one he’s been saving for dessert, Chloe McHugh. Out of her short blue dress she pushes long blond legs into black shoes she may take off before she next envelops someone.

“Chloe, this place closes in about an hour. Would you like to have dinner? Chloe?”

Peeling off a shoe Chloe fires a fastball and nails Boyd in back of his noggin as he hustles out of the galley. By interior elevator he descends to the second floor where he hopes to find peace among Iranian art combining antiquity with the present. Immediately, he’s attracted to the inkjet prints of Siamak Filizadeh.

“Wonderful work,” Boyd says.

“Thank you,” says a man behind Boyd, who turns, looking confused. “I’m Siamak Filizadeh. May I talk to you about my art?”

“I’d be honored.”

“This one is Execution: he looks like christ hanging from noose waiting to be immortalized by cell phone photos by hijabs this side and eager men on other

“Here we have Harem: strongman chokes white rabbit he caresses with bushy mustache standing in front of elegant building where women pose in windows waiting to serve

“Next is Shah and the Russian Ambassador: they’re not really shah and russian ambassador but that’s a big fish divided so iran gets tiny tail

“Let’s look at Shah and British Ambassador: red coat choke chains shah who’s not happy even in sexy black hose ambassador may lash with whip

“Over here is Rostam II returns at age of 30 having been brought up abroad: being iran’s greatest hero now requires him to carry grenade launcher and knife.

“This is Assassination: poison pistols fell dying leader as angels black and white hover

“Ultimately, we have Vigor: bemedaled officer readies gold machinegun for war”

“I hope our two countries can work out their differences,” Boyd says.

“I’m afraid I’m not optimistic.”

“Paint it Blue” by George Thomas Clark

George Thomas Clark

George Thomas Clark is the author of Hitler Here, a biographical novel published in India and the Czech Republic as well as the United States. His commentaries for are read in more than 50 countries a month.

Recent Commentary


HITLER HERE is a well researched and lyrically written biographical novel offering first-person stories by the Fuehrer and a variety of other characters. This intimate approach invites the reader to peer into Hitler’s mind, talk to Eva Braun, joust with Goering, Goebbels, and Himmler, debate with the generals, fight on land and at sea and…
See More
Art history and fiction merge to reveal the lives and emotions of great painters Vincent van Gogh, Pablo Picasso, Frida Kahlo, Diego Rivera, William H. Johnson, Lee Krasner, and many others.
See More
This fast-moving collection blends fiction and movie history to illuminate the stimulating lives and careers of noted actors, actresses, and directors. Stars of this book include Humphrey Bogart, Clark Gable, Marilyn Monroe, Bette Davis, Alfred Hitchcock, Clint Eastwood, Cate Blanchett, and Spike Lee.
See More
In this collection of thirty-eight chiseled short stories, George Thomas Clark introduces readers to actors, alcoholics, addicts, writers famous and unknown, a general, a lovelorn farmer, a family besieged by cancer, extraterrestrials threatening the world, a couple time traveling back to a critical battle, a deranged husband chasing his wife, and many more memorable people…
See More
Where Will We Sleep
Determined to learn more about those who fate did not favor, the author toured tattered, handmade refuges of those without homes and interviewed them on the streets and in homeless shelters, and conversed with the poor in the United States, Mexico, Ecuador, and Spain, and on occasion wrote composite stories to illuminate their difficult lives.
See More
In lucid prose author George Thomas Clark recalls the challenges of growing up in a family beset by divorce, depression, and alcoholism, and battling similar problems as an adult.
See More
Let’s invite many of the greatest boxers and their contemporaries to tell their own stories, some true, others tales based on history. The result is a fascinating look into the lives and battles of those who thrilled millions but often ruined themselves while so doing.
See More
In a rousing trip through the worlds of basketball and football, George Thomas Clark explores the professional basketball league in Mexico, the Herculean talents of Wilt Chamberlain, the artistry of LeBron James, the brilliance of Bill Walsh, and lots more. Half the stories are nonfiction and others are satirical pieces guided by the unwavering hand of an inspired storyteller.
See More
Get on board this collection of satirical stories, based on news, about the entertaining but absurd and often quite dangerous events following the election of President Donald J. Trump in November 2016 until January 6, 2021, shortly after his loss to Joe Biden.
See More
Join Donald Trump, Hillary Clinton, Bernie Sanders, Ted Cruz, Marco Rubio, Jeb Bush and other notables on a raucous ride into a fictional world infused with facts from one of the roughest political races in modern U.S. history.
See More
History and literary fiction enliven the Barack Obama phenomenon from the African roots of his father and grandfather to the United States where young Obama struggles to control vices and establish his racial identity. Soon, the young politician is soaring but under fire from a variety of adversaries including Hillary Clinton, John McCain, Sarah Palin, Sean Hannity, and Rush Limbaugh.
See More
These satirical columns allow startlingly candid Saddam Hussein and George W. Bush to explain their need to control the destinies of countries, regions, and, ultimately, the world. Osama bin Laden, Dick Cheney, Condoleezza Rice, Mahmoud Ahmadinejad, Karl Rove, and other notables, not all famous, also demand part of the stage.
See More
In search of stimulating stories, the author interviewed prostitutes in Madrid, Mexico City, Havana, and Managua and on many boulevards in the United States, and he talked to detectives and rode the rough roads of social workers who deal with human trafficking, which is contemporary slavery, and sometimes used several lives to create stories, and everywhere he ventured he witnessed struggles of those whose lives are bound In Other Hands.
See More
In compressed language Clark presents a compilation of short stories and creative columns about relationships between men and women.
See More